A Legacy Forged in Light
For 165 years, Chatila has crafted more than jewellery—it has carved out a legacy that spans continents and generations. Established in 1860, the maison has remained family-owned and fiercely independent, preserving its commitment to excellence, rarity, and timeless design.
Masters of the Unseen
Behind every Chatila creation lies an uncompromising pursuit of perfection. From sourcing unheated Burmese rubies to unveiling flawless D-color diamonds, the house is renowned for revealing nature’s hidden wonders—one extraordinary gem at a time. These are not just stones; they are stories waiting to be worn.
Design as Sculpture, Emotion as Spark
Each piece begins not with a sketch, but with a sensation. The stone leads. The design follows. Whether it’s a sculptural high-jewellery necklace or a singular bespoke ring, Chatila designs carry both architectural precision and emotional resonance. They are wearable sculptures—fusing art, history, and soul.
Intimacy Over Opulence
In a world driven by scale, Chatila remains intentionally rare. With salons in Geneva and London, and a discreet presence in elite circles, the house thrives on word-of-mouth and generational loyalty. Here, luxury isn’t loud—it’s deeply personal.
Icons of Influence
Over the decades, Chatila has handled jewels of global fascination—from the 40-carat “Star of Dubai” to Catherine the Great’s sapphire. Yet the true measure of its influence lies not in headlines, but in the quiet confidence of its clientele—royals, collectors, visionaries—who trust Chatila to tell their story in stone.
A Modern Evolution
As the house marks its 165th year, a bold future emerges. Beyond classic high jewellery, Chatila is venturing into limited-edition objets d’art and one-of-a-kind gemstone handbags—melding innovation with old-world artistry.
Jewels for Generations
Chatila’s philosophy is simple: create only what is worthy of being passed down. Each jewel is a statement—not of wealth, but of legacy. A reminder that true luxury is not owned, but inherited.